Thanks
Best
Kevin
Hello Kevin,
Yes, I think. If the mentioned sine-tones are soft, then 100 Hz is heard as a "cubic" difference tone, f = 2f_1 - f_2; example: f_1 = 200 Hz; f_2 = 300 Hz; f = 100 Hz. If the sine-tones are louder, 100 Hz is heard as a first-order difference tone, f = f_2 - f_1; example: f_1 = 200 Hz; f_2 = 300 Hz; f 100 Hz.
Reinhart.
Reinhart Frosch, Dr. phil. nat., r. PSI and ETH Zurich, Sommerhaldenstr. 5B, CH-5200 Brugg. Phone: 0041 56 441 77 72. Mobile: 0041 79 754 30 32. E-mail: reinifrosch@xxxxxxxxxx .
and <al.bregman@xxxxxxxxx> wrote:
Whenever a repetitive waveform is played (i.e. one whose partials are all harmonics), we hear the pitch that is characteristic of that repetition rate.
...
Therefore, we shouldn't think of your complex tone as containing a 100-Hz pure tone. It is just that they both have the same pitch.
----Ursprüngliche Nachricht---- Von: kevin.austin@xxxxxxxxxxxx Datum: 16.03.2007 03:26 An: <AUDITORY@xxxxxxxxxxxxxxx> Betreff: harmonic vs. inharmonic sounds (one last time)
On reconsideration, I would reframe the question something as:
When hearing the partials 200, 300, 400, 500, 600, 700, do you perceive the fundamental to be 100 Hz? Do you hear a 100 Hz component?
Best
Kevin