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McGill University post-doctoral position in auditory perception
- To: AUDITORY@xxxxxxxxxxxxxxx
- Subject: McGill University post-doctoral position in auditory perception
- From: Stephen McAdams <smc@xxxxxxxxxxxxxxx>
- Date: Thu, 15 Dec 2005 09:33:07 -0500
- Comments: To: BRAMS <brams-members@iro.umontreal.ca>, discuss@s2s2.s2s2.org, echos <echos@ens.fr>, cirmmtnews cirmmtnews <cirmmt-news@music.mcgill.ca>, BBCS Admin <bbcs@mcmaster.ca>
- Delivery-date: Thu Dec 15 09:49:14 2005
- Reply-to: Stephen McAdams <smc@xxxxxxxxxxxxxxx>
- Sender: AUDITORY Research in Auditory Perception <AUDITORY@xxxxxxxxxxxxxxx>
POST-DOCTORAL POSITION IN AUDITORY PERCEPTION
A post-doctoral researcher (within 5 years post-PhD) is sought to
perform perceptual experiments in spatial audio under the direction of
Stephen McAdams within a project that aims to develop novel
compositional and technological methods for the advanced use of the
multidimensional nature of auditory space in music composition. The
post-doctoral project will study auditory scene analysis in
multi-source environments, focusing on the relevance of spatial cues
and on natural musical instrument tones rather than on synthetic
materials. Also the relevance of spatial cues to schema-based vs.
primitive segregation processes will be assessed. A second part of the
project conducted by a PhD candidate will involve the design of
algorithms for the active manipulation of existing auditory scenes,
with an emphasis on the perceptual fusion of otherwise separated
sources. Optimal gestural control of such algorithms will also be
evaluated by another PhD candidate. The project will be carried out
within an interdisciplinary environment with different research groups
focusing on the audio synthesis of auditory virtual environments (Jonas
Braasch), gestural and psychoacoustic aspects (Marcelo Wanderley and
Stephen McAdams, respectively) and music composition (Sean Ferguson).
At the end of the project, the methods developed and validated by the
post-doc and doctoral students will be demonstrated in a composition by
Sean Ferguson for chamber ensemble and live electronics to be performed
in Montreal at the 2008 MusiMarch Festival. The project is funded by
the New Media Initiative of the Canada Council for the Arts and the
Natural Sciences and Engineering Research Council of Canada's.
SKILLS
The ideal candidate will have a PhD in experimental psychology or audio
engineering with skills in psychological testing, programming,
statistical data analysis, and sound analysis and synthesis. Applicants
with research experience in auditory scene analysis or spatial hearing
and with experience in music performance research and/or gesture-based
human-computer interaction are strongly encouraged to apply. The
candidate should be excited by the idea of collaborating with other
scientists, engineers, composers and performers in an interdisciplinary
project and have the necessary social skills for an intensely
collaborative effort.
CENTRE AND LAB
The Music Perception and Cognition Laboratory (MPCL) is part of the
Centre for Interdisciplinary Research in Music Media & Technology
(CIRMMT – www.music.mcgill.ca/cirmmt) and the Music Technology Area of
the Theory Department in the Schulich School of Music of McGill
University (www.music.mcgill.ca/musictech). CIRMMT has strong ties with
the psychology department, the engineering faculty and the Montreal
Neurological Institute at McGill University, the psychology and music
departments at the Université de Montréal, and the Acoustics Group at
the Université de Sherbrooke (GAUS). The MPCL is already equipped with
IAC sound isolation booths, state-of-the-art computer and audio
equipment and laboratory workstations and will soon be equipped with a
virtual reality system merging 3D binocular and 3D audio technologies.
SALARY AND APPLICATION PROCEDURE
Applicants should send a CV and letter describing how their skills
could best be employed within the context of the proposed project to
Stephen McAdams. The post-doctoral rate scale is $27,000-35,000 (CAD)
plus benefits, depending on qualifications. There is a possibility of
obtaining exemption from Québec provincial taxes for non-Canadian
applicants. The position is for one year, renewable according to
performance during the initial year. In the case of international
applicants, final acceptance for the post-doctoral position is
conditional upon obtaining necessary documents for entry into Canada
and returning to the home country at the end of the contract period.
Stephen McAdams, PhD
Professor and Canada Research Chair in Music Perception and Cognition
Director, Centre for Interdisciplinary Research in Music, Media &
Technology (CIRMMT)
Schulich School of Music of McGill University
555 Sherbrooke St. W.
Montréal, Québec, Canada H3A 1E3
Email: smc@xxxxxxxxxxxxxxx
http://www.music.mcgill.ca/cirmmt/
tel: +1-514-398-2464
fax: +1-514-398-8061