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Re: Segregation with neural nets



>Tried somebody to use neural nets ? (Has anybody tried to use neural nets?)

If they have, they are very courageous!

_____________________________________

Dear Bernard,

Perhaps you will find these additional references useful.

By the way, I have Cheveigne's article, it has a very good literature review.

I wrote a draft research grant proposal on the subject of automatic stream
 segregation.
Would you like to read it?

Richard

_____________________

Some references to algorithms on sound segregation:

Brown, G. (1992). Computational auditory scene analysis: A representational
 approach.
PhD thesis, Dept of Computer Science, University of Sheffield.
 <g.brown@dcs.shef.ac.uk>

Chafe, C., Jaffe, D., Kashima, K., Mont-Reynaud, B., & Smith, J. (1985).
 Techniques for
note identification in polyphonic music. Report no. STAN-M-29, CCRMA.

Chafe, C., Mont-Reynaud, B., & Rush, L. (1982). Toward an intelligent editor of
 digital
audio: Recognition of musical constructs. CMJ, 6(1), 30-41.

Cheveigne, Alain (IRCAM) -- Separation of concurrent harmonic sounds:
 Fundamental
frequency estimation and a time-domain cancellation model of auditory
 processing.
Submitted to JASA.

Chowning, J., & Mont-Reynaud, B. (1986). Intelligent analysis of composite
 acoustic
signals. Report no. STAN-M-36, CCRMA.

Chowning, J., Rush, L., Mont-Reynaud, B., Chafe, C., Schloss, W.A., & Smith, J.
 (1984).
Intelligent systems for the analysis of digitized acoustic signals. Report no.
 STAN-M-15,
CCRMA.

Cooke, M. (1993) Thesis to be published by Cambridge UP.
<m.cooke@dcs.sheffield.ac.uk>

Cooke, M.P., & Brown, G.J. (accepted). Computational Auditory Scene Analysis:
Exploiting the continuity illusion.  Speech Communication

Dannenberg, R.B., & Mont-Reynaud, B. (1987). Following an improvisation in real
 time.
ICMC proceedings, 241-248.

Ellis, Daniel P. W. PhD thesis.  <dpwe@media.mit.edu>


Foster, S., Schloss, W.A., & Rockmore, A.J. (1982). Toward an intelligent editor
 of digital
audio: Signal processing methods. CMJ, 6(1), 42-51.

Heinbach, W. PhD thesis, TU Munich. (Very good!)

Mellinger, D.  <davem@cs.Stanford.EDU> PhD thesis and papers on auditory
 modeling,
source formation/separation, amplitude and frequency comodulation, source
 formation,
wavelets


Schloss, WE. (1984). On the automatic transcription of percussive music. (?) PhD
 thesis,
Stanford

Terhardt, E. (1985). Fourier transformation of time signals: Conceptual
 revision. Acustica,
57, 242-256.<ter@duffy.mmk.e-technik.tu-muenchen.de>